Bhairavi Raman is an Indian-Australian violinist blending concepts and techniques developed through her training and expertise in Carnatic (South Indian Classical) and Western Classical music.

Accompanying Bhairavi Raman is Nanthesh Sivarajah, a percussionist, trained in both South Indian Classical (Carnatic) and Western forms, and proficient in the Mridangam, Kanjira, Ghatam, Morsing, Drumkit and several other percussion instruments.

Tickets: Free, by ballot only

BELIEVE is returning to Lazy Thinking for a night of electroacoustic improvisations.
Novak Manojlovic; Farfisa Organ and electronics,
Laurence Pike; drums and percussion,
Peter Farrar; saxophones and percussion, and
Clayton Thomas double bass and objects

Waakya (meaning ‘the crow moving its feathers’) is a bold cross-cultural collaboration between Yolŋu artists Daniel and David Wilfred and electro-acoustic musicians Martin Ng, Ben Carey and Matt McGuigan. Over the last decade, the Wilfreds have developed an international reputation as innovators of Yolŋu music traditions, seeking to develop new artistic directions for the ancestral music of Arnhem Land. Through this collaboration, the artists were inspired to bring new life to manikay (song), the ancestral songs of Arnhem Land.

Karatachi-no-hana for piano solo (1928) - Kosaku Yamada (Japan, 1886-1965)
Colourful Clouds Chasing the Moon (1935) - Jianzhong Wang (China, 1933-2016)
Liuyang River (1972) - Jianzhong Wang (China, 1933-2016)
From 'The Secret Garden of Arirang' (2019) - Heeyoung Yang (South Korea, b. 1979)
Fantasy from Arirang (2017) - Youngmin Choi (South Korea, b. 1984)

Ausecuma Beats - Melbourne multicultural ensemble, bringing together musicians from Australia, Senegal, Cuba, Mali and Guinea.
Ashkan Shafiei - Iranian-born percussionist and composer crafting meditative, textural soundscapes.
Maryam Rahmani - Iranian multi-instrumentalist and vocalist, blending Persian classical music with contemporary expression.

Special guest soloist Amy Moore of the Song Company.

Anna Hirst Friedman - The Fire Always Says Yes (world premiere)
Franz Schubert - Shepherd on the Rock
Antonin Dvorak - Silent Woods
Gilad Cohen - Trio for clarinet cello harp (Australian premiere)
Rob Davidson - Leaf (world premiere); Three Bird Riffs for flute bass clarinet and piano
Oliver Muller - Petrie Creek Road (world premiere)
Amanda Harberg - Court Dances 

Sofia Gubaidulina (1931-2025) was a composer who fully committed herself to music of emotional intensity. Once described as "irresponsible" and "mistaken" under the unforgiving arts regime of the Soviet Union, Gubaidulina would go on to be recognised as "the grand dame of new music" (Boosey & Hawkes) and "the most important Russian composer of her generation" (Wise Music).

Contrapunctus XIV from 'The Art of Fugue' by J.S. Bach
Reflections on the Theme B-A-C-H by Sofia Gubaidulina
Dancer on a Tightrope by Sofia Gubaidulina
Piano Quintet by Sofia Gubaidulina

Flux State are a hybrid electronic/acoustic band playing experimental and forward thinking dance music taking the improvised ethos of jazz and combining it with electronic beats and introspective musicality. Comprised of Jack Rosenzweig, Cairn Peterson, Thomas Levings and Anton Levings (LEVOS).

Annie Jacobs-Perkins - cello

Joseph dall'Abaco Caprice No. 9 in C Major; Caprice No. 11 in F Major; Caprice No. 1 in C Minor
Marin Marais Les Voix Humaines
Esa-Pekka Salonen Arabesques for Olly  
Andrew Norman Sabina
Pamela Madsen Why Women Weep: It Is the Quickest Way to Rejoin the Ocean 
Johann Sebastian Bach Suite No. 3 BWV 1009 in C Major 

DRUB (VIC/NSW)
Scott Tinkler - trumpet
Scott McConnachie - saxophones
Carl Dewhurst - guitar
Simon Barker - drums

Melbourne Scotts, Tinkler and McConnachie join forces with Carl Dewhurst and Simon Barker for a night of extended improvised furore.

A fundraiser and in-situation-sonic sharing, raising money for families in Palestine. Featuring small groups across three nights.

For the past two years, SOUND THE ALARM has acted as a collective action from the improvised music and jazz communities to raise money for on-the-ground support in Gaza and share our grief and solidarity with all of those witnessing from the sidelines. By providing a space for listening, connection and action we hope to continue to normalise resistance to the genocide, and show that silence is not an option. 

Chan/Fujisaki/Turner - first-time improvising trio
Hayley Chan – drums
Hinano Fujisaki – tenor saxophone
David Turner - guitar

Maddy Briggs & Ben Lopes
Composer/performers and members of Chaos Collective.

Nicole Smede - Garan (Wings Of Birds)* (2025)
Brenda Gifford - Saltwater* (2025)
Troy Russell - Motorways* (2025)
Mark ‘Munk’ Ross - Colonisation and Demonisation of the Ibis* (2025)
Mark 'Munk' Ross - The Generations* (2025)
Will Kepa – Sleepless Dreaming (2022)
Mark ‘Munk’ Ross – Loss and Lost (2022)
Aaron Wyatt – Cumulus (2022)
Marlene Cummins – Starting Over (2021)

Claire Edwardes (Artistic Director, percussion), Jason Noble (clarinets), Ronan Apcar (piano)

Guzheng and drums duo based in Tāmaki Makaurau, Aotearoa New Zealand. Their performances implement exploration and improvisation to switch between genres, sometimes dream-pop, sometimes trip-hop, sometimes fevered intense guzheng-doom with Sonic Youth-esque passages of noise.
Huiming Wu - home-engineered electric guzheng, vocals.
Maxwell Brown - drums.

In her Hayes Street Studio debut Annie performs the iconic Cello Suite No. 3 in C major, BWV 1009 by J.S Bach, alongside two trios with flautist Rosie Gallagher and pianist Lee Dionne: Cendres (Ashes) by Finnish composer Kaija Saariaho and the stormy Trio in D minor, Op. 11 by Fanny Mendelssohn.
Kaija Saariaho: Cendres, Op. 65 (1998)
J.S Bach: Cello Suite No. 3 in C major, BMV 1009 (ca. 1717)
Fanny Mendelssohn: Trio in D minor, Op. 11 (1846)

Carl Dewhurst: guitar
Cameron Undy: electric bass
Alex Inman Hislop: drums
and with special guest Scott Tinkler: trumpet

Joining Carl’s trio is Scott Tinkler. Carl and Scott have performed together for many years in groups such as DRUB, The Australian Art Orchestra and The Antripodean Collective.

Fri 17 Oct 6.30pm–7.15pm
Fri 17 Oct 8.30pm–9.15pm

Over more than 20 years, Maissa Alameddine has been a vital presence in the contemporary Arab Australian arts community. She is a founding member of the Western Sydney–based Arab Theatre Studio, and the creative director and lead vocalist of Ensemble Dandana, a collective dedicated to creating Arabic music, delivering workshops, and reimagining traditional sounds through experimental public improvisations.

Maryam Rahmani is an Iranian-born santur player now based in Adelaide. Her music draws deeply from Persian classical traditions and poetry, enriched by her studies in traditional instruments and rhythmic structures.
Maharshi Raval is an accomplished tabla player from Benaras Gharana (school) living in Sydney.

Monica Brooks solo piano, celebrating the release of her forthcoming album.

Chris Pidcock will perform:
Iannis Xenakis: Nomos Alpha (Νόμος α΄) for solo cello (1965)
Horatio Radulescu: Lux Animae for solo cello (1996)
Chris Pidcock: Schaum for CS 80 for synthesiser.

PLEASE REPLY TO THIS EMAIL FOR NEW ADDRESS AND FURTHER DETAILS AND TO CONFIRM YOUR ATTENDANCE

STANHOPE String Quartet No.1, Elegies & Dances
BRITTEN String Quartet No.2 in C Major, Op.36
SCHUBERT String Quartet No.14 in D minor, Death and the Maiden

STANHOPE String Quartet No.1, Elegies & Dances
BRITTEN String Quartet No.2 in C Major, Op.36
SCHUBERT String Quartet No.14 in D minor, Death and the Maiden

A fundraiser and in-situation-sonic sharing, raising money for families in Palestine. Featuring small groups across three nights.

For the past two years, SOUND THE ALARM has acted as a collective action from the improvised music and jazz communities to raise money for on-the-ground support in Gaza and share our grief and solidarity with all of those witnessing from the sidelines. By providing a space for listening, connection and action we hope to continue to normalise resistance to the genocide, and show that silence is not an option. 

Drummer Chloe Kim (김예지) is one of Australia's foremost improvising musicians. Chloe also composes and lectures at the Sydney Conservatorium of Music in the Drum Set faculty.

From Thursday to Saturday, the installation opens to the public. The week culminates in a special ticketed solo performance by the artist, presented alongside their installation.

Bukhu and Nosh weaves together Khuumii (Harmonic overtone throat singing), ancient instruments, and contemporary sonic exploration.
Bukhu is a master of Mongolian musical traditions, most notably Khuumii and the Morin Khuur (Horsehead fiddle).
Nosh is a composer and sonic experimentalist with a diverse musical background blending electronic elements with acoustic textures.

Adriel Sukumar Hyper-Drive

Fernando Concierto de las cinco ciudades
Soloist: Michael Duke

Arturo Marques Danzon No 2

Missy Mazzoli (b. 1980) Ecstatic Science
Friedrich Cerha (1926 - 2023) Quellen (Sources) for ensemble
Holly Harrison (b. 1988) Jabberwock (2021 version)
New Student Work - TBA*
Heinz Karl Gruber (b. 1943) Frankenstein!! (ensemble version)

Convergence is the title of Hamed Sadeghi’s new composition. The concert series aims to convey a deconstructed yet detailed performance of the composition’s roots and components in three acts.

Convergence 1: Classical Exploration
Freya Schack-Arnott (cello), Beth Condon (viola), James Tarbotton (violin), Aida Manouchehr Pour (soprano), Sohrab Kolahdooz (percussion), Hamed Sadeghi (tar).

𝗧𝗔𝗕𝗔𝗧𝗔 𝗠𝗜𝗧𝗦𝗨𝗥𝗨 (Boredoms / Zeni Geva / Acid Mothers Temple) and 𝗠𝗔𝗦𝗔𝗠𝗜 𝗞𝗔𝗪𝗔𝗚𝗨𝗖𝗛𝗜 (New Rock Syndicate / Keiji Haino) come together with 𝗣𝗔𝗨𝗟 𝗞𝗜𝗗𝗡𝗘𝗬 and DON DRUM to form PAUL KIDNEY JAPANESE EXPERIENCE.
This psychedelic quartet has wowed Japanese audiences twice with tours in 2024 and earlier in 2025 and tours Australia for the very first time this October.

Claudia Döffinger, German pianist, composer and conductor, makes her Australian debut at the Sydney Conservatorium of Music, the culmination of Döffinger’s creative residency at the Con. Sharing the stage are: the Sydney Conservatorium Jazz Orchestra and Mary Lou and Beyond, an all-female and gender-diverse student ensemble featuring.

The program pays homage to the legacy of women in jazz composition, from Mary Lou Williams to Toshiko Akiyoshi, Nadje Noordhuis, Miho Hazama and new works by student composer Chiara Minotto.

Inlay Ensemble features string players from Sydney, who have come from professional classical, jazz, folk and experimental, to create diverse music.
Elsen Price - double bass
Tomas Ford - double bass
John Napier - cello
Eleanor Streatfeild - cello
Adrian Keating - violin

Pharos (The Sydney Women’s Jazz Collective) 
Loretta Palmeiro | Alto/Sop/Clarinet/piano; Mariela Mulder | Tenor; Kali Gillan | Baritone; Ellen Kirkwood | Trumpet; Louise Horwood | trumpet; Alex Silver | Trombone; Hilary Geddes | guitar; Hannah James | Double Bass; Bonnie Stewart | Drums

Tymbal Echoes
Hinano Fujisaki | Saxophones; Simon Barker | Drums

Franz Schubert Shepherd On The Rock
Anna Hirst Friedman The Heart Always Says Yes (world premiere)
Robert Davidson Three Bird Riffs, new work (world premiere)
Ollie Muller Petrie Creek Road (world premiere)
Amanda Harberg Court Dances

Amy Moore: Soprano, Andrew Kennedy: Clarinets/artistic director, Anna Rutkowska-Schock: Piano, Ewa Kowalski: Flutes, Rafael Salgado: French Horn, Kate Moloney: Harp, Jack Ward: Cello

Jenna Cave Sextet: Jenna Cave (composer & vocals), Yutaro Okuda (guitar), Tom Avgenicos (trumpet/flugelhorn), Loretta Palmeiro (saxophones, clarinet), Hannah James (double bass), Alex Inman-Hislop (drums)

Gabriella Hill Quartet: Gabriella Hill - tenor saxophone, Jacques Emery - double bass, Eric Tsai - guitar, Daniel Raymond - drums

A fundraiser and in-situation-sonic sharing, raising money for families in Palestine. Featuring small groups across three nights.

For the past two years, SOUND THE ALARM has acted as a collective action from the improvised music and jazz communities to raise money for on-the-ground support in Gaza and share our grief and solidarity with all of those witnessing from the sidelines. By providing a space for listening, connection and action we hope to continue to normalise resistance to the genocide, and show that silence is not an option. 

Augury; Andrew Fedorovitch (bass), Riley Jones (drums) and Axel Powrie (synth, flute, bass clarinet)

Nick Dan (drums) and Jim Denley (saxophone)

Convergence is the title of Hamed Sadeghi’s new composition. The concert series aims to convey a deconstructed yet detailed performance of the composition’s roots and components in three acts.

Convergence 2: Persian Traditional
Hamed Sadeghi (tar), Ramin Etemadzadeh (vocals), Sina Bastami (kamancheh), and Amir Salar Makhzani (percussion).

Elysian Fields - musical dialogue between past and contemporary musical realms, shifting between improvised and notated modalities.
Susie Bishop | voice/violin; Loretta Palmeiro | saxophones; Matt McMahon | piano; Jenny Eriksson | electric viola da gamba; Jacques Emery | double bass; Rease Cameron | drums

Austral Baroque - Music by Jenny Eriksson, Alice Chance, Louis Andriessen, arrangements by Lousie Johnson, and more!
Louise Johnson | Harp; Jenny Eriksson | electric viola da gamba

Spread all across PACT's black box space, a bevy of noise musicians:

WEYÓN
SOCIETY OF CUTTING UP MEN
ANGUS MCGRATH
WYTCHINGS
ANDREA ILLÉS & MARCUS WHALE

Liv Andrea Hauge Trio
Liv Andrea Hauge | Keys
Chloe Kim | Drums
Jacques Emery | Bass

Niki Johnson & Hilary Geddes
Niki Johnson | Percussion
Hilary Geddes | Guitar

Convergence is the title of Hamed Sadeghi’s new composition. The concert series aims to convey a deconstructed yet detailed performance of the composition’s roots and components in three acts.

Convergence 3: Improvisation Duo
Mike Nock (piano) and Hamed Sadeghi (tar).

BELIEVE connects the spectrum of contemporary creative sound making with the fluid, anything is possible momentum of free jazz. For the past three years this Sydney-based quartet has committed to a musical process of learning, exploring, experimenting and growing in public.

Peter Farrar - saxophones, percussion
Novak Manojlovic - piano, percussion
Clayton Thomas - double bass, percussion
Laurence Pike - drums, percussion

Tickets: Free, by ballot only

"Unbound" defies artistic boundaries, presenting a night of profound personal expression. Witness Ria Andriani's soul-stirring vocals performing Molly Joyce's compositions, followed by Melanie Eden's experimental fusion of vocals and accordion, where spiritual depth meets powerful social advocacy. Sonnet Curé, drawing from their "Headliners" experience, unveils a new experimental work, channeling their lived experience of deafness. Together, these artists offer an evening of transformative art, pushing beyond expectations.

Chloe dedicates the final year of her 20s to a deeply personal and creative journey. Throughout 2025, she will focus each month on learning, growing, and creating, sharing her process through monthly performances.

These performances are RSVP only. To reserve your spot and receive event details, please email chloekim12months@gmail.com

The Cloud Maker
Te Kahureremoa | Taronga Puoro/Voice
Aviva Endean | Clarinet/Winds/Electronics
Sunny Kim | Voice/Electronics/Percussion
Freya Schack-Arnott | Cello/Nyckelharpa
Maria Moles | Drums/Kalimba/SPD

Panghalina
Helen Svoboda | double bass, vocals
Bonnie Stewart | drum kit, vocals
Maria Moles | drum kit, synthesizer

Keyna Wilkins - piano/flute, compositions
Jodie Michael - drumset
Elsen Price - double bass
Will Gilbert - trumpet

Merging the sound worlds of jazz and contemporary classical and set to real space sounds and projections.

From traditional Icelandic folksong to new improvised pieces, Ronan Apcar (piano) and Sola Hughes (violin).
Fagurt Er í Fjörðum trad. Icelandic song
Calices - I. II. III. by Kaija Saariaho
Heather by Kate Moore
sky and eye in a grain of sand by Akari Komura (world premiere)
Birds in Warped Time II by Somei Satoh

Carla Thackrah - flute; Virginia Comerford - viola; Alice Giles - harp

CLAUDE DEBUSSY Sonata for flute, viola and harp (1915)
NICHOLAS ROUTLEY Sonata for flute, viola and harp (2024)
ROMANO CRIVICI Arafura Haze (2025)

Tickets: Free, by ballot only

Urethra Vortex (Urethra Stockade + Cletus Vortex) - https://notverygoodrecordsrecords.bandcamp.com/.../48...

Monoeater - https://monoeater.bandcamp.com/album/propping-up-bulldozers

PartyOvOne - https://partyovone.bandcamp.com/.../asymptotically...

Rapacity - https://www.instagram.com/rapacity__/

Born in Iran and now based on Gadigal land (Sydney), Hamed Sadeghi is a multi-award-winning Persian-Australian tar player and composer.

From Thursday to Saturday, the installation opens to the public. The week culminates in a special ticketed solo performance by the artist, presented alongside their installation.

Berlin-based musician and composer Jules Reidy has created a musical accompaniment to the 38th Kaldor Public Art Project 38, Thomas Demand: The Object Lesson.

Local musicians and sound artists will reinterpret Reidy’s score for their performances. Mary Rapp is a multidisciplinary musician based in Sydney who has gained wide acclaim for her distinctive approach, which integrates jazz, experimental, classical and regional music traditions.

Music of Noël Lee, Ruth Crawford-Seeger, George Walker and Aaron Copland,
performed by:
Ole Bøhn, violin
Daniel Herscovitch, piano

Jessica O'Donoghue and Jack Symonds's undead is a celebration of Australian musical and literary talent, offering a cross-section of Australia’s contemporary operatic landscape.

MARY FINSTERER Your Dusk is Near from Biographica (2017)
JACK SYMONDS The Flood from Gilgamesh (2024)
ANDRÉE GREENWELL Speak Our Names from Three Marys (2023)
MARY FINSTERER Eternal City from Antarctica (2022)
JESSICA O'DONOGHUE The Witness from Running Man (2022)
HUW BELLING The Canon & Katharsis from Fumeblind Oracle (2021)
PEGGY POLIAS Dawn from Commute (2020)
PAUL STANHOPE Hanging Rock from Picnic at Hanging Rock (2023)
THOMAS ADÈS Life Story (1993)

Tickets: Free, by ballot only

Fiona Hill - electronics: Ableton Live
Gary Daley - piano accordion, electronics 
An In: Flux performance consists of a slowly evolving long-form improvisation. A marrying of a traditional acoustic instrument, the accordion, with contemporary electronics.

A night of experimental electronica and Slavic darkwave. Layered vocals, live looping, deconstructed club sounds and witch-house.
ŽIVA (Melbourne) a bilingual music project fusing Slavic-pop, darkwave, and experimental electronica
Gift Exchange (Sydney) Jaime Krausman on guitar, Madison Scott on vocals and Eduardo Bianchino on production/synth
Grasps (Sydney) an electronic artist & producer whose sound is experimental electronic, intending to combine extremes of sound.

CHRIS CAINES & EMMA X ZHANG are artists working across installation, sound, and performance. Chris explores immersive media and spatial interventions, while Emma focuses on materiality, movement, and the sensory experience of environments.
MICHAIL MATHIOUDAKIS as MARCIA MANHUNTER artist and performer working through drag, screen, photography, and zine-making.
ŽIVA (Lucija Ivšić) artist, researcher, and lecturer working at the crossroads of music, sound technology, and cultural heritage. Her sound blends Slavic-pop, darkwave, and experimental electronica.

Peter Dasent - Piano
Phillip Johnston - Alto Saxophone
Playing With Monk’s repertoire traverses the music of jazz icon Thelonious Monk, the film composers Nino Rota, Ennio Morricone, early jazz and blues classics, and their own compositions for film and jazz.

Niki Johnson (percussionist, composer-performer) & Shervin Mirzenali's (composer, sound design) collaboration blurs the line between composer and performer, theatre and music, and experimental and conventional instrument design. This newest project involves using vibrating objects as methods of activating different percussive materials, and secret contact microphones as methods of listening small sounds.

From Thursday to Saturday, the installation opens to the public. The week culminates in a special ticketed solo performance by the artist, presented alongside their installation.

Sulla Lingua is an Australian-Italian electroacoustic noise rock trio, featuring Anthony Pateras (tētēma/PIVIXKI) on electronics, Stefano Pilia (Zu, Rokia Traoré, Massimo Volume) on guitar and Riccardo La Foresta on drums and his own creation, the Drummophone.

Anthony Pateras is a composer, pianist and electronic musician. He works across many contexts including modern classical, acousmatic diffusion, film soundtrack, free improvisation, experimental rock, and various mutations of electronica. 

Tickets: Free, by ballot only

Atunement is a live sound collaboration between Panos Couros and Mx Robert Frost, Blending field recordings, ambient textures, musique concrète with analogue and digital synthesis.

Supported by Shooshy. Electronic musician: Using synths, made instruments, mashed loops and processed vocals, inspired by airports, train depots and the natural world.

Matthew Ottignon - tenor, alto, and baritone saxophones
Lauren Tsamouras - piano
Hannah James - acoustic bass
Hayley Chan - drums and percussion
While embodying the spirit of giants such as John Coltrane and Pharoah Sanders, Volant is a modern quartet, delivering compositions and improvised dialogue.

ELENA KATS-CHERNIN (ARR. J. AGOSTINO) Dance of the Paper Umbrellas
RICHARD CHARLTON Port Jackson Suite*                                  
VINCENT LINDSEY-CLARK Magnetar (From Celestial Suite)
P. BELLINATI Baiao de Gude
GUSTI NGURA ADI PUTRA (ARR. T. DRACOULIS) Melasti
JALAL AHMED Dream Walking* (Premiere)
MANUEL DIEWALD Celestial* (Premiere)
JULIA VLAHOGIANNIS Notion* 
LUIGI BOCCHERINI (ARR. J. SPARKS) Introduction and Fandango     

Tickets: Free, by ballot only

ALEXIS WEAVER (she/her) is a composer, sound artist and educator based in Sydney, Australia. At Local Edition, Alexis will create a site-specific work that celebrates the character and wonder of the artefacts within the store. Alexis will highlight certain objects and their makers, drawing out unique sounds and creating a shifting sonic constellation for visitors to dwell in.

From Thursday to Saturday, the installation opens to the public. The week culminates in a special ticketed solo performance by the artist, presented alongside their installation.

FORMA ENSEMBLE is an Australian percussion collective creating, performing, and collaborating on new and experimental music. Rebecca Lloyd-Jones, Joshua Hill, Niki Johnson, Gabriel Fischer, Caleb Colledge, Shu-hsuan Wang.

Michael Gordon’s Timber is a meditative, hour-long work scored for six wooden planks.

Tickets: Free, by ballot only

For one night only, thedieyoungs and Julien Mier unveil Pluto’s Exchange Program—a secret music project they’ve been crafting since 2017. Improvised collision of percussion, piano runs, and otherworldly textures that fuse jazz, electronica, drum & bass, neo-classical, and spacecore.

 Joining them are live acts ilex and Kid Fiction, plus a DJ set by Postponez.

Lee Dionne - piano

UNSUK CHIN Etude No. 1 ‘In C’ (1999/2003) 
GYÖRGY LIGETI Etude No. 6 Autumn in Warsaw (1985)
FRÉDÉRIC CHOPIN Scherzo No. 4 in E Major (1842)
JOHANN SEBASTIAN BACH Partita No. 6 in E Minor (1730)

Tickets: Free, by ballot only

Maissa is a multi-disciplinary artist, creative producer and experienced vocalist. Maissa has been part of the contemporary Arab Australian arts community for over twenty years.  She is the Creative Director and one of the lead vocalists in ATS’s musical project Ensemble Dandana.

From Thursday to Saturday, the installation opens to the public. The week culminates in a special ticketed solo performance by the artist, presented alongside their installation.

Chloë Sobek is a composer-performer based in Naarm. This installation presents an experimental archive of the violone, composed of sound and artefacts that resist conventional models of documentation and preservation.

From Thursday to Saturday, the installation opens to the public. The week culminates in a special ticketed solo performance by the artist, presented alongside their installation.

Inspiritus - explores free improvisation under the guidance of images of the natural world.

Led by Shane Carpini (drums/percussion), Inspiritus features some of Sydney’s finest experimental improvisers, such as Kenya Wilkins (piano/flute), Josh Shipton (electric bass), Lachlan Kerr (keyboard/synthesiser), and Liz Cheung (zhonghu/flute).

**To be postponed until early 2026 due to Chloe’s absence**

Chloe dedicates the final year of her 20s to a deeply personal and creative journey. Throughout 2025, she will focus each month on learning, growing, and creating, sharing her process through monthly performances.

These performances are RSVP only. To reserve your spot and receive event details, please email chloekim12months@gmail.com

Composer Samantha Wolf and pianist Alex Raineri present a performance for piano and live electronics, featuring new, existing, and revised works from their 15-year collaborative history.
Samantha Wolf blends the classical, contemporary, acoustic, and electroacoustic worlds, while being grounded in the notated tradition.
Alex Raineri is active throughout Australia and Internationally as a piano recitalist, concerto soloist, chamber musician, harpsichordist, composer, writer, producer, and educator.

Tickets: Free, by ballot only

Melodic Fictions is a contemporary choral, improvised layered work by vocalist Merinda Dias-Jayasinha. For this performance, Melodic Fictions is crafted live by Merinda in collaboration with vocalists Hannah Cameron, Imogen Cygler, Hannah McKittrick, and Ebony Tait.
Luke M de Zilva, as LMDZ, presents live mixes of mostly Australian musicians, collating, sampling and abstracting their work to create a series of new ‘collaborations’.

Tickets: Free, by ballot only

**To be postponed until early 2026 due to Chloe’s absence**

Chloe dedicates the final year of her 20s to a deeply personal and creative journey. Throughout 2025, she will focus each month on learning, growing, and creating, sharing her process through monthly performances.

These performances are RSVP only. To reserve your spot and receive event details, please email chloekim12months@gmail.com