Score Club is a group of artists, musicians and composers exploring text-based scores as a provocation for music and art making. 

#4 for the year.
Featuring performances and works by
Johnny Chang (DE): Partitions & Resonances [Collected Fields]
MP Hopkins
Andrew Fedorovitch
Thea Porter
John Wilton
Alexandra Spence


[Our interest lies in the idea of the score as a fluid document, and in the potential for alternative forms of notation to break down the boundaries and hierarchies between subject and object and amongst notions of composer/performer/audience. The score can be read as poetry, a kind of manifesto-document, an instruction for performance, or a way to structure improvisation. It can also be used as a way to compose, generate and explore new sonic ideas and material. These kinds of scores are an impetus for improvisation and a template for listening and interacting, offering both a non-cochlear way of engaging with music/sound and a cochlear method of engaging with art.]