We’ve teamed up again with Dual Plover to present the second round of Up close and personal, a series of physically distanced contemporary sound events like you’ve never seen before.
Each three hour program will feature two musical acts, each playing for one and a half hours with a collaborative segue at the midway point. Entry will be staggered with a rotating audience experiencing a unique 20-minute experience only 1.5 metres away from some of Australia’s most innovative musicians. Performers include Eric Avery, Graham King, Shoeb Ahmad, Nicola Morton, Matt Earle, Loose-y Crunché, Papaphilia, Jim Denley, Monica Brooks, Laura Altman, Garry Bradbury and Phantom Chips.
Whip out your phone to livestream the event and share it on your socials using the hashtag #mcaupcloseandpersonal. The content captured will be compiled for an online audience.
Tickets
Free, booking required – maximum of 2 tickets per person.
All ages welcome.
Each ticket gives you access to an intimate 20-minute experience. Due to capacity and the rotating nature of the audience, there may be wait times when you arrive.
Your confirmed ticket time slot can not be swapped.
If you are no longer able to attend the performance, please get in touch with us by emailing reception@mca.com.au, so that we can offer your spot to someone else.
Tickets for each event will be released one week prior.
Nicola Morton: 23 April, 5.30–7pm
Nicola Morton is an Asian-Australian musician and media artist whose creative practice engages deeply with collaborative practice and new technologies. Her work aims to engage a group focus or deep listening of simple waveforms, drawing attention to minute and rapid fluctuations in sound whilst gently testing the audience’s perception of the object. Drawing inspiration from the waveforms of movement, wi-fi and EEG, her music deconstructs and experiments with shifting public or private appreciation towards cyclic noise.
Matt Earle: 23 April, 6.45–8.30pm
Matt Earle is a legendary figure in Australian experimental music circles, known for his bands, Stasis Duo, xnobbqx, Club Sound Witches. Matt’s founding of hotbed communal noise spaces like Real Bad Music, Brisbane and Life Groove Cafe, Sydney, and his bewitchingly-unclassifiable label imprint Breakdance the Dawnreleased hundreds of cassettes by Australian artists, all packaged in Matt’s signature recycled, black-and-white photocopied style. His music, like his pictures, are instantly recognisable for their luminous lo-fi wonder, as opaque as a brick wall.